Website URL ICQ 0. [Low-priced Reissue] CDSOL-6454 Roy Eldridge - Howard Mcghee Beboppers The. Klaus Suonsaari Reflection Times [Limited Release] February 15, 2017. Hino Live In Nemuro [Low-Priced Edition] UCCJ-9193 Rainbow Crystal Green. Find album reviews, stream songs, credits and award information for Crystal Reflections - Buster Williams on AllMusic - 1976 - Bassist Buster Williams had one of his few.

If you're familiar with, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help. You can become a sustaining member for a modest and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Bassist Buster Williams is well featured here on this pretty, interesting set from 1976, his second disc as a leader. Crystal Reflections concentrates on exploratory duets with keyboardist Kenny Barron (the exceptional Barron original, 'The Enchanted Flower'), pianist Jimmy Rowles (two versions of 'I Dream Too Much') and vibraphonist Roy Ayers ('My Funny Valentine').

Elsewhere, Williams combines with Barron, Ayers and drummer Billy Hart for three impressionistic pieces: William's sensitive 'Prism,' Cole Porter's 'I Love You' and Roy Ayers's Spyro Gyra-like 'Vibrations.' Even when Williams overdubs synthesizer and female voices overtop 'Prism' or when Roy Ayers doubles up on sythn for 'Virgo,' the effect is sensitively considered and the result is quite a positive contribution to the success of each piece.

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Roy Edward Ayers, Jr. Was born in Los Angeles, CA on September, 10 1940. He comes by his affinity with music naturally, as his mother Ruby Ayers was a schoolteacher and local piano instructor and his father Roy Sr., a sometimes-parking attendant and trombonist.

As it often happens in a household filled with the love and the appreciation which for music, Roy began to demonstrate his musical aptitude by the tender age of five, by which time he was playing boogie woogie tunes on the piano. He turned to the steel guitar by the age of nice, had stints during his teens playing flute, trumpet and drums before embracing the vibes as his instrument of choice. Perhaps Roy’s karmic destiny as a vibraphonist was by his parents’ decision to allow him attend a concert featuring the great Lionel Hampton’s Big Band. During “Hamps” customary stroll down the aisle to thank you his audience for attending, he noticed and ecstatic five-year-old boy. So impressed was 'Hamp' by the child’s ebullience he walked over and presented young Roy Ayers Jr. With the gift of a lifetime- a pair of vibe mallets.

During Roy’s adolescence, although his parents required that his schoolwork remain his primary focus, his mother managed to fit in piano lessons, which served to enhance his public school education. In addition to Roy’s involvement with various instruments, he also sang in the church choir. Then, at seventeen years of age his parents presented him with a set of vibes and the rest, as they say, is history. Roy began at first study independently, then eventually discovered that Bobby Hutcherson, a rising vibraphonist, lived in his neighborhood, and subsequently he began to work under Bobby’s tutelage. Their relationships as friends and musicians blossomed, with regular meetings between the two to collaborate and practice. During this period, Roy went on to form very first group of which he was the leader, while a student of Jefferson High school. Appropriately enough, he first named the group the Jefferson Combo, later re-naming the group to the Latin Lyrics.

After graduation from Jefferson High, Roy attended Los Angeles City College where he studied advanced music theory. By 1961 Roy had become a well-rounded, full-fledged professional musician, and as is customary in nuturing African-American households, at twenty-one the keys to the door. As the adage goes, if you are blessed, when one closes another one opens. Fortunately for Roy, he had just begun to receive his musical blessings, as early in his career, he collaborated and performed with likes of Chico Hamilton, Teddy Edwards, Jack Wilson, Phineas Newborn and Gerald Wilson. Shortly thereafter, Roy made his recording debut with Curtis Amy, a highly regarded saxophonist, with whom he recorded “Way Down” and “Tippin on Through”. Vibraphonist/vocalist Roy Ayers is among the best-known, most loved and respected jazz/R&B artist on the music-scene today.