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Find a The Clash - Sandinista! First pressing or reissue. Complete your The Clash collection. Shop Vinyl and CDs. The problem with Sandinista! Is that lurking within this triple album, lays an ambitious sextuple album that would have been truly remarkable. The Clash wimped out and only gave us thirty-six songs. Strummer and co. Deserve some credit though; they relinquished all their profits on the first 200 000 copies sold, if the great men at Columbia Records would price the album as a double and not a.

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Contents • • • • • • • • • • • • Background and recording [ ] The album was recorded over most of 1980, in London,, and New York. It was produced by the band (which essentially meant and ), recorded and mixed by, and engineered by Jeremy 'Jerry' Green (), J. Nicholson (), Lancelot 'Maxie' McKenzie (), and (Pluto + Power Station Studios). Versions of some of the songs and was done by, who had first worked with the band for their 1980 single '. With Sandinista!

The band reached beyond and into dub,,, and other genres. The album clearly displays the influence of reggae and producer (who had worked with the band on their 1977 single ' and who had opened some of the band's shows during its stand at Bond's in New York in 1980), with a dense, echo-filled sound on even the straight rock songs. When recording began in New York bass guitarist was busy making a film called, and he was replaced briefly by bassist; this later caused some bad feeling when Watt-Roy and keyboard player, a fellow Blockhead, claimed they were responsible for co-composing the song ', as the song was based on a tune of theirs. Dread, too, was upset that he was not credited as the album's producer, although he was credited with 'Version Mix'. Other guests on the album include singer (Jones' partner at the time), guitarist formerly of, former member, and Strummer's old friend and musical collaborator, who plays violin, sings on and wrote the track 'Lose This Skin'; he later joined Strummer's band.

Gallagher's children also made appearances: his two sons, Luke and Ben, singing a version of 'Career Opportunities' from the band's, and his daughter Maria singing a snippet of 'The Guns of Brixton', from, at the end of the track 'Broadway'. This is also the only Clash album on which all four members have a lead vocal. Drummer Topper Headon made a unique lead vocal contribution on the disco song 'Ivan Meets G.I. Joe', and bassist Paul Simonon sings lead on 'The Crooked Beat'.

Release [ ] According to Joe Strummer, the decision to release a triple-LP was the their way of mocking CBS for resisting their desire to release London Calling as a double album, then releasing Bruce Springsteen's double album The River, also on CBS, less than a year later. The band's wish to release the album at a low price was also met with resistance, and they had to forego any royalties on the first 200,000 copies sold in the UK and a 50% cut in royalties elsewhere. Four singles were released from the Sandinista! Sessions in the UK: ' (which did not appear on the album), 'The Call Up', 'Hitsville UK', and 'The Magnificent Seven'. A single disc promotional sampler called Sandinista Now!

Was sent to press and radio. The side one track listing was 'Police on My Back', 'Somebody Got Murdered', 'The Call Up', 'Washington Bullets', 'Ivan Meets G.I. Joe' and 'Hitsville U.K.' The side two track listing was 'Up in Heaven (Not Only Here)', 'The Magnificent Seven', 'The Leader', 'Junco Partner', 'One More Time' and 'The Sound of Sinners'.

The song ' was lyricist 's most extensive—and most specific—political statement to date. In it, Strummer name checks conflicts or controversies from around the world; namely in,,, and. (In reference to the first three, Strummer seems to side with what he sees as popular leftist movements or governments, while in the latter two, he sharply criticises the policy of Moscow's and Beijing's communist governments for what he sees as their imperialist actions). The Rolling Stone review of Sandinista! Calls 'Washington Bullets', along with 'The Equaliser' and 'The Call Up', 'the heart of the album'.