Apr 27, 2008 - Roy Ayers - Virgin Ubiquity - Unreleased Recordings 1976-1981. What's The T? I Really Love You 4. Oh What A Lonely Feeling 5. Apr 17, 2008 - The genius of Roy Ayers knows no end -- and as this set of unreleased work from the 70s proves, Roy was always working at top form back in.

01-Holiday 02-I Am Your Mind Part 2 03-Funk In The Hole 04-Liquid Love 05-Third Time 06-Tarzan 07-I Like The Way 08-Come To Me 09-Kwajilori 10-Release Yourself 11-Touch Of Class 12-Wide Open 13-Sunshine (Demo) Purchase Roy Ayers Real Name: Roy Edward Ayers Profile: Once one of the most visible and winning jazz vibraphonists of the 1960s, then an R&B bandleader in the 1970s and '80s, Roy Ayers' reputation s now that of one of the prophets of acid jazz, a man decades ahead of his time. A tune like 1972's 'Move to Groove' by the Roy Ayers Ubiquity has a crackling backbeat that serves as the prototype for the shuffling hip-hop groove that became, shall we say, ubiquitous on acid jazz records; and his relaxed 1976 song 'Everybody Loves the Sunshine' has been frequently sampled. Download free klaus schulze transfer rar to zip. Yet Ayers' own playing has always been rooted in hard bop: crisp, lyrical, rhythmically resilient.

His own reaction to being canonized by the hip-hop crowd as the 'Icon Man' is tempered with the detachment of a survivor in a rough business. 'I'm having fun laughing with it,' he has said. 'I don't mind what they call me, that's what people do in this industry.' Download game house pc gratis full version terbaru edisi.

Growing up in a musical family -- his father played trombone, his mother taught him the piano -- the five-year-old Ayers was given a set of vibe mallets by Lionel Hampton, but didn't start on the instrument until he was 17. He got involved in the West Coast jazz scene in his early 20s, recording with Curtis Amy (1962), Jack Wilson (1963-1967), and the Gerald Wilson Orchestra (1965-1966); and playing with Teddy Edwards, Chico Hamilton, Hampton Hawes and Phineas Newborn. A session with Herbie Mann at the Lighthouse in Hermosa Beach led to a four-year gig with the versatile flutist (1966-1970), an experience that gave Ayers tremendous exposure and opened his ears to styles of music other than the bebop that he had grown up with. After being featured prominently on Mann's hit Memphis Underground album and recording three solo albums for Atlantic under Mann's supervision, Ayers left the group in 1970 to form the Roy Ayers Ubiquity, which recorded several albums for Polydor and featured such players as Sonny Fortune, Billy Cobham, Omar Hakim, and Alphonse Mouzon. An R&B-jazz-rock band influenced by electric Miles Davis and the Herbie Hancock Sextet at first, the Ubiquity gradually shed its jazz component in favor of R&B/funk and disco. Though Ayers' pop records were commercially successful, with several charted singles on the R&B charts for Polydor and Columbia, they became increasingly, perhaps correspondingly, devoid of musical interest.

In the 1980s, besides leading his bands and recording, Ayers collaborated with Nigerian musician Fela Anikulapo-Kuti, formed Uno Melodic Records, and produced and/or co-wrote several recordings for various artists. As the merger of hip-hop and jazz took hold in the early '90s, Ayers made a guest appearance on Guru's seminal Jazzmatazz album in 1993 and played at New York clubs with Guru and Donald Byrd. Though most of his solo records had been out of print for years, Verve issued a two-CD anthology of his work with Ubiquity and the first U.S.