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Founded and based in Bristol, is run by twin brothers Raphael and George Greaves. From their studio space in the creative heart of the city, the brothers have honed in on a distinctively tangible aesthetic.

Their focus is on quality – producing original works and creative commissions which capture a visual tone of clean, clear directness. Having independently studied illustration at different universities, the brothers reunited to launch this creative endeavour two years ago.

Their vibrant, polychrome palette has formed the basis of a catalogue of prints that blend angular experimentation with classical, pristine presentation. Crack were approached to curate and document a special creative project with local artists who we admired.

As they are located just down the road from our headquarters and their output had been on our radar for some time, Printed Goods were a natural fit. Centred around with, Raphael and George conceptualised and produced two limited edition prints from their Bristol studio space. Over the past two years, Stella Artois’ partnership with Water.org has been raising awareness about the global water crisis, working together to help bring access to clean water to more than 3.5 million people in the developing world by 2020. Women walk for up to six hours a day just to get clean water, their journeys and the work of this initiative formed the basis for the project with Printed Goods. From their studio space, to the printers, to their pop-up gallery – the process of bringing these works to life happened across one day in Bristol. To discuss the process, the initiative and their creative method, we spoke to Raphael and George once the project had wrapped up. To be part of the generation that helps ends the global water crisis today, donate by purchasing a limited edition pack of Stella Artois*.

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(*For each limited edition pack sold, Stella Artois will donate £0.47 to Water.Org providing one person access to clean water for six months). Tell us a little bit about your background as artists George: I started my art training after sixth form with a foundation course at Bristol School of Art. Then I went on to do illustration and visual communication at Westminster. I didn’t go straight into this field because I didn’t know what direction I wanted to take.

I sort of dossed around doing other stuff – bar work, working at a factory – then decided to take it seriously and do something I wanted to do. Raphael: We did the foundation course together. It’s a really great course. We were both quite unsure about what we wanted to do but the great thing about that course is you get to try everything – printmaking, photography, ceramics.

It was a great introduction. I went on to do animation which was so wrong for me. It was 2D hand drawn animation which gave me a good grounding in technical drawing but I saw that George was having such a good time on his illustration course so I wanted to get involved in that! I went up to Bristol uni, got in four days before the course started and graduated there. Then we decided to get a studio together and start taking it seriously. What do you think it is about Bristol that makes it so good for creatives?

G: We wouldn’t have been able to do this in London – R: Without a dozen internships or having well-off parents! G: I think the way we approach stuff is – we do exactly what we want to do. It sounds kind of arrogant but I think we both know what we like and Bristol has facilitated everything we need, it’s got a great creative scene. We’ve met loads of people who have helped us out along the way. I just think it’s such an inspirational place to live. What was the initial plan for Printed Goods?