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Robert Pattinson and Kristen Stewart in 'The Twilight Saga: Breaking Dawn — Part 2.' Credit Doane Gregory/Summit Entertainment Heads pop like Champagne corks in “The Twilight Saga: Breaking Dawn — Part 2,” the final chapter in the megamillion-dollar series about love, war and franchise immortality. Even with the lavish blood bath that slathers this movie red and pops those tops, these are joyous times for Bella (), who has risen revived, restyled and stone-cold dead after dropping a new addition to the Cullen family, those veritable vegan vampires who snack on woodland creatures instead of humans. After Bella nearly died during pregnancy in the last movie, her undead husband, Edward (), saved her by piercing her neck, thus at long last making a vampire out of her. Now, with newborn Renesmee, baby makes three. Played by what look like digitally altered tots and an actual flesh-and-blood girl (Mackenzie Foy), Renesmee is the nominal centerpiece for the final movie and its reason for being. As half-human, half-vampire, and conceived while Bella was still breathing, Renesmee turns out to be an instant problem child.

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Not only does she look as creepy as the baby Brad Pitt in she’s sprouting as fast as a magical beanstalk and, worse yet, has attracted the attention of the Volturi, a vampire coven in Italy with papal-like authority. Led by Aro (a fabulous, flamboyant Michael Sheen), the Volturi come to believe that Renesmee is an “immortal child” whose milk teeth will instigate a large-scale calamity. Fangs and milk teeth: Mackenzie Foy as a half-child, half-vampire, and Kristen Stewart as Bella, her mother.

Credit Andrew Cooper/Summit Entertainment The decision to squeeze two generously padded movies (this one runs a swollen 115 minutes) out of the concluding volume in Stephenie Meyer’s four-book series never made story sense, even if it has lucratively served the studio bottom line. (The first movie raked in more than $700 million internationally, and the series has topped $2 billion.) The director, however, who brought wit, beauty and actual filmmaking to, along with those enormous receipts, has nicely cultivated the art of the stall for Part 2. Working from a screenplay by Melissa Rosenberg, who adapted all the books, he doesn’t have a lot to play with here, but he makes do and sometimes better than that, largely by turning his cameras into surrogates for the franchise’s adoring fans.

From the first extreme close-up of Bella fluttering open her dark, feathery eyelashes, Mr. Condon makes this “Twilight” an intensely tactile and intimate experience. Taking his cues from the of Hollywood — the close-ups of Bella and Edward bring to mind those of Elizabeth Taylor and Montgomery Clift in He bathes his stars in a gleaming light that gives their pale faces a luxurious alabaster sheen. This is one movie that should have been shot in 3-D if only to allow the fans to caress the air. The glammed up Ms.

Stewart, hair flowing and jaw squared, finally looks like the star she has become over the course of the series. Advertisement Alas, she also acts kind of dead. Apparently becoming a vampire robs you of the power to put across an emotion persuasively, and while Bella looks lovely or at least strikingly styled, she’s also pretty much a stiff.

Pattinson, by contrast, has rarely appeared more relaxed, and his character has never seemed more, well, human. You have a lot of time to look at their faces, to examine their micro-movements, the cut of their clothes, the curl of their hair — and also idly to wonder what was going on between these two tabloid favorites during production — because, beyond a quick hunt and an alfresco nosh, not much happens during the initial, narratively thin stretch. From left, Christopher Heyerdahl, Michael Sheen and Jamie Campbell Bower in 'The Twilight Saga: Breaking Dawn — Part 2.' Credit Andrew Cooper/Summit Entertainment Watching the Cullens pose and smile in their modernist digs, gathered around the piano with frozen aristocratic languor, grows tedious. But, much like the scene of Jacob (Taylor Lautner), the franchise’s favorite pinup, strolling into the story with visibly erect nipples, this family album serves a conspicuous purpose. It quickly becomes evident that Part 2 is primarily an extended final bow — part victory lap, part farewell tour.