Anhedonist The Drear Rar

Anhedonist The Drear Rar Rating: 3,6/5 9015 reviews

Genre: Doom Metal Region: USA Their first full length 'Netherwards' is going to finally be released in a matter of weeks and I haven't even posted this crushing slab from 2010. Shame on me I saw them at last winter and they did not disappoint. In fact they decimated the venue with powerful, slow blows of melancholic doom. The Drear is three tracks that hit just over ten minutes each and they are truly something to savor. They're dark and incredibly hypnotizing as they quake with unheard of sorrow, focused into the thunderous grooves expertly. Echoing and pained hoarse vocals and slow riffs meet with they cavernous and plodding drums.

Mar 27, 2012  The Drear is three tracks that hit just over ten minutes each and they are truly something to savor. They're dark and incredibly hypnotizing as they quake with unheard of sorrow, focused into the thunderous grooves expertly.

The Insatiable Hole is continuously plodding, dark and subtle with melodic undertones while Despond has a section which picks up the pace slightly in the beginning (almost hitting death metal territory) before crashing downward into low tuned agony again. The last track Ouranophobia I remember clearly from ROD III. It settles into more seriously addicting slabs as heard in the first track with a clean section near the end to heighten the incoming towering conclusion to the record. With this demo as a solid indicator I can confidently say that Netherwards will undoubtedly be among the heaviest releases this year next to and eventual release of 'Mass V'.

Get this shit now and. The vinyl release is limited to 500 hundred on so I don't know if you can still get it. If not, go fucking preorder the Netherwards cd from (and eventually on vinyl via and ). Highly recommended especially for fans of Lycus, Sound Asleep, Pallbearer, Aldebaran, Evoken, etc.

So, a few beers deep last night, Cobras and I got into a trans-continental bout of posting a bunch of 70s protometal summer jams on Facebook. I figured I could share some of that and put up a mix of shit like that I made a month or two ago for partying purposes. It ain't comprehensive, it's poorly researched, and ignores things that most people like.

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Just a smattering of proto-metal, meathead, scuzz rock fuzzbombs from the golden age of quaaludes and tube amps. Lucifer's Friend - Ride In The Sky Best thing this fucking band ever did. It's like if Zeppelin decided to skip the eunuch Viking war cry on 'Immigrant Song' and throw on some bleating horns and Hammond organ.

Randy Holden - Guitar Song I decided to skip some of the bigger names in this style (Sabbath, Blue Cheer, etc.), and while Holden was a member of Blue Cheer for one album it'd be a mistake to overlook this one. The question I have regarding this song relates to the title. Aren't ALL Randy Holden songs guitar songs? Least descriptive title ever. Might as well have called it fucking 'Music Song' or 'Song With Structure' or something. Cool Feet - Burning Desire Fucking sick album from Luxembourg circa '76.

Apparently only 200 were pressed, so good luck ever finding an actual copy of this that doesn't cost about the same as a downpayment on a house in a respectable neighborhood with good schools and curbside recycling. It's got everything though: tinny mid-fi production, harmonized guitars, broken English lyrics. If you hate this you're an asshole. Stray - Jericho I love ANY song with a galloping beat. Frijid Pink - Crying Shame This band had a balance between gnarly overdriven fuzz stomp and some sorta-corny-but-sorta awesome AOR boogie slop. Gotta love any heavy band that genuinely uses the phrase 'golly gee' in the lyrics.

Regular IllCon followers should know of the name Pete Jay and the quality musical output he has been part of. Quality shit such as Wormwood and Black Queen, both can be obtained, and also of the all-mighty for those unacquainted. Pete has been busying himself with Oakhelm (alongside members of the also pretty awesome and Lovecraft inspired ) for some time now. I discovered this album a few months ago and it became something of a regular on my daily work route and then by chance I happened across the impressive green/yellow vinyl pressing of this in a second hand store.